East Bridge House (Turn Left) - the story

My painting ‘East Bridge House (Turn Left)’ started off as an artwork inspired by a dramatic urban view. As I learnt more about the location, I discovered a story hidden beneath the Croydon tarmac.

East Bridge House (Turn Left). 2021. Acrylic on wood panel. 61cm x 61cm.

The painting was inspired by a view from the Croydon tower block known by many different names, including The 50p Building, No.1 Croydon, The Thrupenny Bit Building and the NLA Tower. The area shown in the painting was originally the site of an old building called East Bridge House (and this gave me the title for the work). The owners refused to sell up when the modern block was proposed, but the tower was constructed looming above them anyway. Eventually, East Bridge House fell empty and was demolished.

Writer John Grindrod says:

In the heart of suburban Surrey sits the NLA Tower, now known as No.1 Croydon. It was designed, like hundreds of others, in Seifert’s vast draughtsmans’ office. In the original 1964 plans it was set to be, in the fashion of the day, a tower sat atop a podium. But when it came to construction things didn’t turn out quite that straightforward. East Bridge House, a solicitor’s office, sat on part of the site that the podium block was due to occupy, and the owner wasn’t willing to move. Lengthy legal wrangling ensued, but in the end construction had to start without a resolution, and so the podium was scrapped. Instead the NLA Tower became a free-standing block, albeit nestling next to East Bridge House. The tower emerges from the rough concrete volcano-mouth of an underground car park, like a Thunderbirds rocket caught mid-launch. East Bridge House, that pesky neighbour, was finally demolished in 1973, three years after construction had finished, and at last the tower could shrug off accusations that it was yet another suburban semi.

Quote taken from ‘NLA Tower, Croydon’ by John Grindrod published on the Twentieth Century Society website, November 2014. www.c20society.org.uk

With the help of Twitter, Turf Projects and the Museum of Croydon, I’ve managed to find some photos of plucky little East Bridge House.


From a painter’s point of view, I began working on this using just black, greys and white acrylic paint, with a plan to add colours and coloured glazes later on.

I masked off the ‘islands’ of grass and pavement, leaving me the tarmac areas free to spray with paint from brushes (and toothbrushes) to give it a gravelly texture.

Stage one of adding colour glazes. I’ve painted the shadows first, with the objects casting them still to come on top later.

Prints of the finished painting can be purchased via my Etsy store here.

London Art Fair 2015

I visited the London Art Fair for the first time, last month.

London Art Fair interior

London Art Fair interior

Held in the large, light and airy venue of the Business Design Centre, in Islington, it showcases the work and artists of many galleries, with much of the art on sale (for a range of prices). It is a maze of booths, spaces, corridors and rooms, and definitely something to explore over a course of hours, with stops for coffee and chats. What is sometimes referred to (by me) as Gallery Back (a.k.a. Festival Back) can kick in, without finding somewhere to pause.

However, I did discover work that I really liked by two artists: one contemporary, the other no longer alive.

John Stark.

Showing work at the Charlie Smith London stand, the ones by Stark that caught my eye were painted on wood panel in rich intense colours. They were very jewel-like, depicting mysterious landscapes populated by people who appear to be beekeepers, and with a nod to the Italian Renaissance. The groups of faceless hood wearing figures were sinister but also calm and monk-like.

CHARLIE brings his A-game @LondonArtFair - John Stark on stand 4 #LAF15pic.twitter.com/2VKXy1Xt6K

— Zavier Ellis (@CHARLIESMITHldn) January 20, 2015

I don't think this piece was at the fair, but it's very similar to the paintings I saw, and would appear to also be in that series.

painting of a beekeeper

painting of a beekeeper

Other work by the artist includes brooding landscapes, with an even closer reference to the European art of the past.

landscape painting

landscape painting

Oskar Schlemmer

I saw a print of one of his drawings on a gallery stand (I'm afraid I can't remember which. Bad blogger, bad blogger). It really intrigued me so I looked him up, and discovered his work with the Bauhaus school and many of his designs for theatre and opera. This piece Konzentrische Gruppe is very like the one I saw at the fair.

drawing of figures

drawing of figures

You can see some of his designs, in their final form, in this beautifully odd film Das Triadische Ballet.

https://www.youtube.com/watch?v=87jErmplUpA

Granary Square and The House of Illustration

The Discovery of Granary Square, King's Cross

Granary Square - King's Cross - London

Granary Square - King's Cross - London

I recently booked a ticket to hear the illustrator Laura Carlin give a talk about her work at the new House of Illustration, near King's Cross. What I didn't realise, until I got there, is how great the redevelopment of the area behind the railway stations is. There's still lots to do, but the post-industrial spruce up that's happened so far is exciting to me. If you've not been there, it feels a bit like bits of the Canary Wharf area but I have a feeling it's going to have a lot more soul and far fewer branches of Pret. It also reminded me of round the Albert Dock in Liverpool. The main piazza, on a sunny day, now feels hot and feisty like a square in Barcelona, not waste ground near some gas tanks.

Granary Square - King's Cross - London

Granary Square - King's Cross - London

It's great that there is also the Grand Union Canal running round and through the site. When I see these watercourses in London, there is definitely something a bit quaint and old fashioned about them (but that's no bad thing).

Grand Union Canal - King's Cross - London

Grand Union Canal - King's Cross - London

This rural scene of a father fishing with his kids, near some barges, surely is something you might see in the Midlands countryside - not 10 minutes walk from where you can catch a train to Paris.

Granary Square - King's Cross - London

Granary Square - King's Cross - London

If you get there soon, you can still see bits of the industrial architecture that has yet to be completely refurbished. I imagine most of the area was like this until a few years ago. Shame I missed seeing it, as I love progress but you've got to enjoy a bit of dereliction too, haven't you.

House of Illustration - King's Cross - London

House of Illustration - King's Cross - London

The House of Illustration itself seems to be have been carefully ring fenced amongst all the building work. I took this shot as I left the talk later in the evening, and it reminds me of some of the scenes from that great film 'The Ladykillers' which was set in this area during the 1950s, I think. The trailer gives a little flavour of the film, if you don't know it.

http://www.youtube.com/watch?feature=player_detailpage&v=EoPaqgKWWv0

The House of Illustration had put on a series of talks by current illustrators, and I'd definitely take another trip up in the future to any other events they might arrange. The purpose of the whole trip was to listen to Laura Carlin, an illustrator whose work I'd not seen before, but she/it was great. The talk was very interesting and inspiring. Her style is so free and not over-considered which was very liberating to see.

Illustration of a bus by Laura Carlin

Illustration of a bus by Laura Carlin

Here is only one example of her style, but I urge you to investigate her output more, through her agents Heart Agency.